Crime TV, true or otherwise, and specifically the sort focused on serial killers: Can we discuss naming?
Because it was one thing when it was:
1) Criminal Minds, the series that, over a teenage amount of seasons, progressed from if-not-ripped-from-the-headlines-at-least-inspired-by-real-cases plots to the SVU-style throwing of darts at a board until a high enough body count and/or freakish enough MO was achieved, plus got rid of the Agent with the Jawline, so what is even the point not that I’m bitter.
2) Inside the Criminal Mind, which is really Baby’s First True Crime Show, like, it feels it has to explain the homicidal triad plus it recaps every case afterwards like it’s coming back from commercial despite being a Netflix original, *plus* it really, really loves the stock footage and the establishing shots. WE KNOW WHAT CALIFORNIA LOOKS LIKE, ItCM, JEEEZ.
(If you want a less-basic but still murdery true crime thing, the UK’s “Encounters with Evil” has been good, despite/partly because of the fact that they got the Vincent Priciest narrator they could find. Like, I sort of suspect the audition involved asking people how many “e”s were in “evil” and anyone who said fewer than five was sent home. Also, “When a killer comes calling, there’s often no escape,” is the intro tag line, and damn.)
But! Now we have:
1) Manhunt: Unabomber, the dramatization of a true story wherein the first season was the Unabomber and I tagged right out midway through E2, after the third “but what if Kaczynski, like, has a pooooint about computers, maaaaaan,” from Detective Bearderson. He lives in a cabin, showers once a year, and KILLS PEOPLE WITH MAIL BOMBS, you twit, he’s not the Visionary for Our Age. (I think the second season’s going to be the Olympic Park bombing, and since that asshole was a forced-birther who was also “protesting global socialism,” I hope to God the writers don’t go within ten miles of the But What If the Killer Has a Point, Though? trope.)
2) Manhunt UK (edited because I originally had it as Mindhunt UK, YOU SEE MY POINT), which I haven’t seen and involves the guy from Doc Martin, and is apparently *also* based off a true story. It sounds pretty interesting and I might check it out, and is apparently in no way associated with Manhunt Colon Unabomber.
3) Mindhunter, the pretty neat history-of-profiling show with a John Douglas stand-in who is UNBELIEVABLY ANNOYING in his personal relationships, like, when his S1 girlfriend cheated on him my reaction was “about goddamn time,” but is also very cute and gets naked a lot, which mitigates considerably in my book. Also there’s a montage of diners.
4) Mindhunter, the book #3 was based on, which is completely nonfiction, and quite good if you like true crime, and contains no John Douglas nudity at all. (Which is…probably good? Although Wiki suggests he was a looker in the day.)
5) MindhunterS, which is a movie about FBI agents being trained with AR, and of course it All Goes Horribly Wrong.
6) Manhunter, the movie based on Red Dragon before they did Red Dragon, the movie based on Red Dragon, which was the first movie featuring Hannibal, central character of the book and movie and series Hannibal.
I’m going to need you, as a genre, to take a break from titles involving “Mind,” “Man,” “Hunt,” and “Criminal,” or at least issue a coherent identification chart. Because this is way more taxonomy than my Netflixing should require.